The FORM of the inFORMation age.

Complex Geometries and forms have always been a part of the living world. As we moved ahead generation by generation technology and its use in our lives grew stronger, from birth to death and even in design methods and techniques.

The information age has taken over and brought along various challenges. From conceptualising to modelling, and then developing and constructing them has its own levels of difficulty. But the breed of architecture of digitally driven processes and fabrication gives birth to highly dynamic transformations, geometries and structures.

New possibilities in computing technology are gradually advancing the architectural planning process. Boldly curving, graceful and futuristic buildings, such as Frank O. Gehry’s Guggenheim Museum in Bilbao, Spain, or Bernhard Franken’s BMW Bubble for the IAA 1999 were regarded until recently as unrealizable. The planning process as well as production of
these freely – formed bodies demand from all involved a new approach to working one that departs radically from the old-on-stone production method.

The innovations start at the design process. Frank O. Gehry saw his forms first produced as traditional handmade models, which were then digitized by 3D scan; thus the computer-supported planning process began for Gehry after considering the form. Bernhard Franken, the architect for the BMW Bubble, 1999, and the BMW Dynaform for the IAA 2001, first produced on initial geometry using a computer-controlled design method which determined the final form for the entire building. He then used software uncommon to the architectural field, to assist in the design. The digital workflow not only redefined the working method of the planning team but also gave a new interpretation to the rolls of the architects and engineers.

To conclude, complex geometries and dynaform were and are a part of our past and future and their transition through time is the most remarkable feature of their existence.